| The visual impact of perspective & sharpness control | | | | and to ensure that enough line pairs reach the digital |
| By Avi Roth | | | | sensor to achieve good sharpness, it is best to avoid |
| Jewelry, as a photographic object is comparatively | | | | very small apertures! This is why when desiring great |
| small in terms of three-dimensional extension. The | | | | image quality, it's imperative to achieve sharpness by |
| range of movements offered by the view camera | | | | adjusted depth of field vs. stopping down the lens |
| present great control over quality and visual | | | | opening! |
| presentation. This article about using a view camera in | | | | Another good example of the view camera |
| the studio-managed environment, discusses ways of | | | | advantage can be seen when photographing a square |
| deliberately influencing and modifying perspective and | | | | jewelry gift box. How do you photograph a square |
| sharpness to attainvisual splendor and image quality | | | | item from a dramatic angle without converging lines? |
| Unlike SLR or medium format cameras ("rigid body" | | | | With a medium-format camera it's not possible to |
| cameras), the view camera has capabilities for a full | | | | compensate for converging lines at a small aperture |
| range of movements: rise and fall as well as tilt and | | | | like f/11 in order to get the entire subject sharp. |
| shift of both front and rear standards. This is very | | | | Since lenses made for digital photography perform |
| important in digital jewelry photography since simply | | | | best in this aperture range a view camera like the |
| stopping down a modern digital lens all the way to | | | | Sinar p3, Arca, Linhof or Cambo would easily realize |
| f45 or f64 is a poor approach in obtaining sharpness | | | | overall sharpness without loss of image quality while |
| and can have a damaging effect on image quality. | | | | retaining the desired viewing angle. |
| Modern digital lenses perform optimally toward the | | | | The above examples demonstrate how the |
| middle of their aperture range: f/11 for short focal | | | | capabilities of a precision view camera with a full |
| lengths, f/16 for moderate focal lengths, and f/22 for | | | | range of movements can achieve great overall |
| longer lenses. Sharpness has other implications on | | | | sharpness at small apertures. But at the same time, |
| image quality as well: surface quality, data density, | | | | the view camera also allows to create purposeful |
| and separation of planes and edges. | | | | un-sharpness for artistic and creative interpretations. |
| In practical terms, when photographing a round pearl | | | | Utilizing the view camera's range of movements to |
| necklace or a pendant on a 180º object surface | | | | manipulate perspective and sharpness will create |
| with a tilted camera plane of 30º- 45º, the | | | | spectacular special images of even ordinary jewelry |
| view camera can quickly and easily be set to achieve | | | | objects - especially in close-up range. |
| sharpness throughout the entire object plane at the | | | | In jewelry photography close-up sharpness over the |
| optimum aperture without stopping down, while | | | | entire subject, at the optimum aperture for best |
| retaining natural proportions. An SLR or medium | | | | image quality, is inconceivable without camera |
| format camera on the other hand, must always be | | | | movements. If you are searching for a system that |
| stopped down to a maximum lens opening of f32 | | | | will help you capture the ultimate digital image quality, |
| and beyond to achieve a greater depth of field, with | | | | I would highly recommend thinking about a view |
| all the associated disadvantages of image quality. | | | | camera studio-solution. There are at least two other |
| A limited amount of sharpness can be re-gained in | | | | components beyond the camera platform you must |
| post-production by image manipulation, but only with | | | | consider: the digital back, and digital lenses. It's not |
| considerable losses in terms of image quality, and | | | | inexpensive - but the results will justify the |
| with unpleasing pixel distortions. For known reasons, | | | | investment. |
| diffraction has a large effect at high line frequencies, | | | | |